The thriving community of Harlem patronized the Fabulous A.H. Meyer's Pabst Harlem Music Hall And Restaurant for the venue's elegance and entertainment from 1900 to 1917.

Architect Otto Strack designed this architectural gem, drawing inspiration from European opera houses and the German Renaissance Revival style. Not only did he create a visually stunning masterpiece, but he also prioritized safety, ensuring that the theater was one of the most fire-proof of its time.

This establishment was a powerful sign of how German immigrants brought its culinary, cultural, and drinking preferences to Harlem. Known as a "lobster palace," it delighted its (mostly) German patrons with its delectable seafood offerings and became a popular gathering spot.

The Pabst also served as a platform for budding talent, nurturing the careers of promising artists. It was here that a young Hungarian named Sigmund Romberg captivated audiences with his mesmerizing piano performances, paving the way for his later success as a renowned opera composer.

Broadway diva Madame Sherri and her husband Andre Sherri, with their unmatched charm and elegance, graced the stage with captivating musical reviews. Their performances, alongside the likes of Eugene Macgregor and a cast of talented individuals, left audiences spellbound. With stunning girls, elaborate costumes, and an entirely new approach, every show was a testament to their creative brilliance.

Aesthetically, the interior of the Pabst exuded opulence and grandeur. The large dome, adorned with beautiful skylights, created a mesmerizing play of light as it illuminated the tables below. Lush palm trees added a touch of tropical paradise, transporting visitors to a world of sophistication and luxury.

The Pabst closed just before the onset of Prohibition in 1919 marking the end of an era.

The Willis Avenue Bridge - Early 20th Century