New Waterfront Park

Honoring the Intellect and Creativity of Harlem

Brookfield Properties recently opened Bankside Park across the Harlem River in Mott Haven, The Bronx. This 4.3-acre park provides direct access to the Harlem River waterfront for the community. Designed by MPFP, it features shade trees, lawns, and wood-decked outlooks.

The larger $950 million Bankside master plan includes 1,379 apartments, with 30 percent being rent-stabilized. Prior to Brookfield’s involvement, the site was a contaminated Brownfield, but they completed remediation and created a resilient shoreline bulkhead. The project also houses two local non-profits and employed over 100 South Bronx residents through job training.

Community Meeting Tonight

A meeting with NYPD Deputy Inspector Natale will be held tonight - Tuesday Jun 18th @ 6:30pm. 

Location:

Friendship Baptist Church

144 West 131St Street

All homeowners and residents of West 129th, 130th, 131st, and 132nd Streets, between Lenox and Adam Clayton, welcome to attend.

Hope to see you there.

The Harlem Markers’ Project

 

Honoring the Ancestors:
Celebrating the Harlem Markers Project
 
Sunday • June 30, 2024
3:00 PM

The Apollo's Soundstage
253 West 125th Street
New York, NY 10027

Join us for an unforgettable celebration as a talented ensemble of musicians, actors, and writers gather to honor the people, organizations, and events that shape Harlem's rich and vibrant history. 

This special evening pays tribute to the distinguished figures that While We Are Still Here is installing markers for throughout Harlem. They include Malcolm X, Althea Gibson, Marcus Garvey, Dorothy Maynor, Coleman Hawkins, Pauli Murray, Larry Neal, Queen Mother Moore, and many more. 

Your ticket includes a light buffet, allowing you to enjoy delicious refreshments while immersing yourself in Harlem’s vibrant cultural history.

ABOUT SIGNS OF THE TIMES®: Harlem Markers Project


This project will install twenty-five markers to honor individuals, organizations, and events that imbue Harlem with its unique history.


Appearances and performances by—
 Musicians


Duane “Cook” Broadnax was born in Philadelphia but now lives in Brooklyn, New York. He received his B.A. in jazz performance from Berklee College of Music in Boston. Cook was the drummer for the late great jazz vocalist Little Jimmy Scott for 14 years up until his death in 2014. He has also played with Kevin Eubanks, Johnny Copeland, Savion Glover, Eartha Kitt, Rachell Ferrell and saxophonist Illinois Jaquet. Mr. Broadnax has recorded with actress/model/singer Vanessa Williams,

James Carter was born in Detroit, Michigan. On May 31, 1988, at the Detroit Institute of Arts (DIA), Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet. This was pivotal in Carter's career, putting him in musical contact with the world, and he moved to New York two years later. He has been prominent as a performer and recording artist on the jazz scene since the late 1980s, focusing on saxophones, flute, and clarinets. Carter has won DownBeat magazine's Critics and Readers Choice award for baritone saxophone several years in a row. He has performed, toured, and played on albums with Lester Bowie, Julius Hemphill, Kathleen Battle, the World Saxophone Quartet, Wynton Marsalis, and Dee Dee Bridgewater.


Angela L. Owens, internationally recognized for her “beauty and musicality” (The Times of London), as well as her “attractively full-bodied, passionate soprano voice” (Opera News), Angela is an in-demand performance artist, educator, and clinician. She is a former member of the voice faculty at Wagner College in New York and currently teaches voice at the University of Wisconsin (Parkside) and serves as a vocal coach for Interlochen Center for the Arts. She is also on faculty at the Manhattan School of Music. 

Marcus Persiani is a consummate musician who possesses a diverse musical vocabulary. He’s toured the U.S. and the world with notable artists including Joseph Bowie’s Defunkt and Willie Colon. He’s also performed with Jerry and Andy Gonzalez, the Impressions, James “Jabbo” Ware, Vanessa Rubin, Savion Glover, and the Apollo Theater Showtime Band. Marcus has also shared the stage with immortals of the pantheon of greats such as Dizzy Gillespie, Max Roach, Cecil McBee, Tito Puente, and Charlie Persip (Super-sound). 

Lonnie Plaxico is the middle child in a family of musicians. He was born in Chicago and inherited a gift for music that was discovered and nurtured early. By the age of twelve, he had taught himself to play the electric bass, and he was soon venturing into Chicago's music scene, renowned for its mix of jazz, funk, and blues. In 1980 Plaxico moved to New York and soon began to appear with such artists as Chet Baker, Dexter Gordon, and Wynton Marsalis. His first extended tenure was with Art Blakey's Jazz Messengers: between 1983 and 1986, Lonnie performed on twelve of Blakey's albums, including the Grammy Award-winning, New York Scene. In 1986, he joined Jack DeJohnette's Special Edition, continuing with that group until 1993. He was a musical director and featured bassist for Cassandra Wilson for more than fifteen years.

Damien Sneed is a multi-genre recording artist and instrumentalist, pianist, vocalist, organist, composer, conductor, arranger, producer, and arts educator whose work spans multiple genres. He has worked with jazz, classical, pop, and R&B legends, including the late Aretha Franklin and Jessye Norman. He also worked with Wynton Marsalis, Stevie Wonder, Diana Ross, Ashford & Simpson, J’Nai Bridges, Lawrence Brownlee, Brandie Inez Sutton, and many others. Sneed has served as music director for Grammy Award-winning gospel artists The Clark Sisters, Richard Smallwood, Donnie McClurkin, Hezekiah Walker, Marvin Sapp, Karen Clark Sheard, Dorinda Clark-Cole, and Kim Burrell, among others. Sneed is a 2020 Dove Award winner and 2021 NAACP Image Award winner. Sneed is currently a faculty member of the Manhattan School of Music, where he teaches graduate-level courses in conducting, African American Music History, a singer/songwriter ensemble, a gospel music ensemble, and private lessons in piano, voice, and composition.

Beverly Withers, a soprano in the Metropolitan Opera Chorus, from which she retired after twenty-five years, has been making music for as long as she can remember. She began taking piano lessons at the age of seven, and “practicing was always a delight.” Since the piano stood in the family living room, well within everyone’s earshot, Withers’ family often had to force her to stop practicing. “I actually remember the day that they had to peel me off the piano bench,” jokes Withers. Her love of music soon blossomed into what Withers herself describes as a “driving, relentless urge to sing.” Withers also studied with Dorothy Maynor, a famous recital artist who turned to the concert circuit because racial barriers prevented her from performing in opera companies, even though she had learned a hundred operatic roles. She describes Maynor as “very demanding–because she knew that we could deliver,” and says that she was “inspiring in every respect.”

Speakers

 
Donald Bogle, the author of the highly acclaimed book Dorothy Dandridge: A Biography, is one of the foremost authorities on African Americans in the movies. He also wrote the definitive biography of African American singer-actress Ethel Waters. His most current title Hollywood Black was adapted for the screen and will be presented at the Tribeca Film Festival. He is the author of the classic Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. 

Melanie Edwards is the granddaughter of J. Rosamond Johnson, composer of “Lift Ev’ry Voice and Sing.” She is also the daughter of Mildred Johnson, the founder of the first Black independent school in Harlem, the Modern School. Melanie is also the director of the J. Rosamond Johnson Foundation.

Sally Jacobs is the author of Althea: The Life of Tennis Champion Althea Gibson and a former reporter for the Boston Globe. She is also the winner of the coveted George Polk Award and the 2014 Pulitzer Prize in Breaking News Reporting with the Globe newsroom. She is the author of The Other Barack, a biography of Barack Obama’s father.
 
Akemi Kochiyama is the granddaughter of human rights activist, Yuri Kochiyama, Akemi is Co-Editor of Passing It On: A Memoir by Yuri Kochiyama and Co-Director of the Yuri Kochiyama Solidarity Project. She is a Harlem-based scholar-activist, community builder, and fundraising professional with more than twenty years of experience in the nonprofit sector. The Yuri Kochiyama Solidarity Project’s (YKSP) mission is to carry on Yuri’s legacy—her passion for justice and lifelong commitment to connecting people, communities, and movements to each other. A graduate of Spelman College, Akemi is a doctoral candidate in the Ph.D. Program in Cultural Anthropology at the Graduate Center of the City University of New York. 

Kendall Thomas is a scholar of comparative constitutional law and human rights whose teaching and research focus on critical race theory, legal philosophy, feminist legal theory, and law and sexuality. Thomas has taught at Columbia Law since 1986. He has been a visiting professor at Stanford Law School and a visiting professor in American studies and Afro-American studies at Princeton University. 

Actors


Daniel Carlton is an actor, storyteller,  playwright, poet, director, and award-winning teaching artist who has appeared on New York, national, and international stages. His work has also been presented in schools, jails, homeless shelters, libraries, and every imaginable place to perform  (except for outer space). Playwright credits include: “March On“ based on interviews with attendees of the 1963 March On Washington was presented at the Apollo. He has toured extensively with his “The Eagle In Harlem And Other Tales.” He was the inaugural storyteller of The Sugar Hill Museum of Art and Storytelling in Harlem. 

Benja K. Thomas originated the role of “Rabby” in the Pulitzer Prize-winning play Fat Ham, directed by Saheem Ali, both on Broadway and at The Public Theater. Also on Broadway, Thomas stood by for Phylicia Rashad in Skeleton Crew, directed by Ruben Santiago-Hudson. Select theatre credits include Halfway Bitches Go Straight to Heaven by Pulitzer Prize-winning playwright Stephen Adly Gurgis, directed by John Ortiz (Atlantic Theater Company); Miller, Mississippi by Boo Killebrew (Long Wharf Theatre); Booty Candy and Barbecue by Robert O’Hara (Playwrights Horizons). She is a two-time Obie Award winner and a recipient of an AUDELCO Award.

Don't miss this chance to experience the spirit of Harlem through the stories of its most influential people.

Long-time Harlem resident and CUNY Professor Emeritus William Seraile highlights the significance of this project, stating, "Harlem lacks an identity. Not an identity of culture but rather an identity of its history: Who did what where? Who lived there? It begs the question: Where are the historic markers?"



Now, through the SIGNS OF THE TIMES, Harlem has visual reminders of its unique history.


Honoring the Ancestors: Celebrating the Harlem Markers Project

Sunday • June 30, 2024

The Apollo's Soundstage
253 West 125th Street
New York, NY 10027

Juneteenth Celebration

The Soapbox Presents: Stoop Sessions, Big Band Jubilee, on Juneteenth, June 19, 2024, from 8-9:30pm. This will be on 119th Street between Malcolm and Adam at 112, 113, and 115W stoops and on the streets. We are expecting a huge crowd and loud live music. We are anticipating a lively wonderful celebration. Everyone is invited. Please see flyer. 

Decked out in their finest, 14 Black musicians take to the stoop to celebrate our Freedom Day, Juneteenth. With music from Duke Ellington, Count Basie, Earl Hines, Louis Armstrong, and a few contemporary big band covers, we keep it swinging, activating the streets where the jazz greats walked. And what is big band without the lindy hop? Taking to our checkerboard linoleum, our dancefloor, 4 Lindy Hop couples reimagine The Savoy right here on the block. Led by Samuel Coleman, this company of dancers invites our audience to swing the night away (or at least from 8-10pm). Here, dancers animate the rich history of Black social dances in America. This activation not only pays homage to Harlem's legacy, it shows that our history is living, breathing and being made every day.

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