St. Nicholas - Then and Now

+ A New Look for The Studio Museum in Harlem

Another photo from Katsu Naito of Harlem in the 1990's. Here is the intersection of 112nd Street and St. Nicholas Avenue (looking at the south-west corner):

And here is the intersection today:

New Branding for The Studio Museum in Harlem

The Studio Museum in Harlem has launched a new look for its print/web branding. A newly designed font and a focus on black/grey/white define the new look:

The museum writes:

A New Graphic Identity for the Studio Museum in Harlem
Since its inception in 1968, the Studio Museum in Harlem's identity has been defined by its commitment to creating conditions for artists of African descent and ideas about blackness to be seen, celebrated, and supported. Throughout the decades, the Museum’s graphic identity evolved and responded to the times using print and digital media to advance narratives about Black culture and support an ecosystem of artists and art workers. This marriage of cultural specificity and dedication to creating space forever changed the landscape of the art world.
As the Museum prepares to open its first purpose-built space on 125th street in Harlem, it selected Pacific, a multidisciplinary creative studio to reimagine an identity system that drives forward a legacy of graphic innovation. The new identity forefronts typography and a three-tiered color palette favoring black and grayscale that offers a range of creative options for the Museum to deepen its connection to artists, members, visitors, and Harlem.
The Museum’s updated logotype features its new custom typeface, eponymously and reverentially named “Studio Museum Black.” A refined and timeless type design, Studio Museum Black was chosen for its elegant yet utilitarian nature. The new logo stands upright, making it easy to adapt and scale across print and digital formats. The visual stacking of the words pays homage to Harlem architecture with the tiers forming what resembles a stoop—an iconic feature of the neighborhood and a reference to a design element of the Museum’s new building.
The Museum selected 100% black as its primary color. A secondary grayscale color palette that extends the dialogue of representation beyond the binary of black and white, allowing for myriad high-contrast pairings and subtle combinations with black. The tertiary palette draws from artwork for additional color—reinforcing the limitless possibilities of Black art.
The Studio Museum’s appreciation goes to Pacific, and the many talented individuals who contributed to the creation of this new brand identity, and to Base Design for the build of the new Museum website. The Museum is excited to reconnect with our community in person and online. 

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